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The Sound of Garuda: Mixed By Gareth Emery

We chat to Darude

We chat to Darude

We chat to Sean Tyas

We chat to Sean Tyas

We chat toAndy Moor

We chat to Andy Moor

We chat to Alex Morph

We chat to Alex Morph

We chat to Tritonal

We chat to Tritonal

We chat to Matt Lange

We chat to Matt Lange

JES INTERVIEW

We Chat To JES

Haezer Interview

We Chat To Haezer

Double Adapter Interview

We Chat To Double Adapter

Tania Zygar Interview

We Chat To Tania Zygar

Giuseppe Ottaviani Interview

We Chat To Giuseppe Ottaviani

Fergie (Robert Ferguson) Interview

We Chat To Fergie

Cristina Soto Interview

We chat to Cristina Soto

Bjorn Akesson Interview

We Chat To Bjorn Akesson

Ronski Speed Interview

We Chat To Ronski Speed

Yesterday's Pupil Interview


We chat to Peach from yesterday's pupil, about his amazing new album, what he's been up to and a love for photography.

Q:
Ok, let’s start with the basics… you’re involved with various bands and acts and known by many names… including P.H, Pierre-Henri and more affectionately as Peach, tell us a bit about “Yesterday’s Pupil” though, where the name comes from and how you started making the music you do.

A:
I started making my own music in 2004 when music production was one of my subjects when I studied music. In 2007 I started playing live as YP and things started happening from there. "Today is yesterday's pupil" is a famous quote by Thomas Fuller. I really like it, I see it like this though: You know they saying "we may be through with the past but the past aint through with us" in that sense it is almost like Yesterday's PUPIL is always watching us. Everything we do and have done will have some kind of effect on our lives in the future....deep yo!

Q:
Apart from being a powerhouse in your own right, many people might not know that you come from quite a famous family , including some of SA’s favorite actors… did this have any influence on your path into the industry? And have you ever considered going into acting yourself?

A:
I studied acting at high-school and my plan was always to act, I still love it! But my love for music took over at some point or stage and that is what I am happy doing. My parents being actors hasn't affected my music career at all, if anything it helped because I grew up around stages and sets with cameras etc...

Q:
 The first time I ever came to know about “Peach Van Pletzen”, was a few years back, watching probably the best piece of theatre I’ve ever seen, at the KKNK… a show called “2-21”, featuring yourself and Francois van Coke in animal suites, since then you’ve produced some amazing music with Francois, both as Oorlog Frankenstein and behind the scenes “Van Coke Kartel’s” genre defying “Skop,Skiet en Donner” Album… how did the meeting with Francois come about ?

A:
I have met Francois once or twice before and we knew one another from the industry. But then when we were put together by a company called "The President" to create music for this play we really started to get to know one another, we had lots of fun writing the music in the day and doing a bit of partying in the night. I wrote this electro piece of music and told him to sing on it and it just worked. He also loved our chemistry and he asked me to produce their next full length album Skop, Skiet en Donner. Then I really got to know those crazy bastards!

Q:
Since your first album “Errors Of Enthusiasm” came out, you’ve slowly but surely become a major player in South Africa’s cross over market, and built up quite a fan base, yet to spite this increase in followers, you’ve recently made a revolutionary move, by making your brand new album available as a totally free download… tell us a bit more about the album, in terms of style, marketing plan and how the decision was made to “give it away”.

A:
Music is free in one way or another. I decided I would prefer the fans to get the music directly from the source in a decent quality and format as opposed to some crappy youtube rip or something. IT also connects you more with the fans. The position I was in I basically had to choose between some money or more fans and I chose the fans. This album is much much better in terms of song writing and production, I feel as though I have- or I am closer to finding my sound.
The album will be released in five sequential parts with a two to three month interval in between. Each part will consist of two brand new original tracks accompanied by an artwork for each track as well as the lyrics and artist notes.

Q:
Styles and trends, in music are constantly changing, what is small today might end up being huge 10 years from now. As is the case with electronic music, which is bigger now, than it’s ever been… do you feel this had a big impact on you as an artist, and do where do you see music in South Africa and globally going in the future?

A:
It probably had some impact, I don't really follow any scene or trend to be honest. I learn from it and I will borrow whatever I want from it but I will never become it or let it become me. As technology grows music will try to keep up with it, who knows where it is going next... new and interesting sounds are being made and created every day by new plug-ins and apps and software/hardware etc... but all of it doesn't mean anything if there isn't a song at the core. Songs are timeless, the latest sounds... not so much.

Q:
. Another band you play a major role in, which seems to be doing extremely well at the moment, is the incredible “Bittereinder”, tell us a bit more about your role in the band, as well as the idea behind the name etc.

A:
Jaco came up with the name and he will have a better explanation. I am involved mainly in the production side of things, Louis and I write most of the music, although Jaco has also been known to bring some sweet musical elements to the table. I produce and mix the stuff and do a bit of vocals.

Q:
You’ve been collaborating with various artists for quite some time now, is there someone you would love to work with in future?

A:
Mmmm.

Q:
Besides the plethora of talents you’re known for, is there anything we don’t know about? Maybe a secret hidden passion or hobby?

A:
Haha, I really love taking photo's... that is my one solid hobby, I take pictures everywhere I go and keep them well organized. There are a few winning moments in the archives. I truly love it!

Q:
What’s playing on your IPOD/MP3 Player or Car radio right now?

A:
New rough work for Bittereinder that Louis and Jaco have been working on. New Trentemoller, New M83, New Elbow, New Sufjan Stevens and Queen!

Q:
 What can we expect from you in the near and distant future?

A:
Much more music :)

Watch the official music video for Too Tired To Disco here:

Download SINGULARITY for FREE on the new YESTERDAY’S PUPIL website here:


Bassive Interview


We chat to Bassive, about the future of Electro, some trade secrets and Dance music in Dubai...

Q:
Quite an interesting name you’ve chosen to release your music under, tell us a bit about how you came up with it?

A:
I kind of just played around with words, Bassive stands for ‘Massive Bass’ and I guess that is how I describe my style, it is how I feel about music and it defines this very deep sounding bass that I use.

Q:
France has pioneered some of EDM’s most noted DJ’s and producers, and has become world famous for that well known French House sound, as a French DJ yourself, how did the move to Dubai come about, and how would you compare the scene in the middle east, to back home?

A:
There has been a lot of cool events lately in Dubai with the participation of international DJ/Producers but the field is still growing and there is plenty of space to be occupied, Electro House is still not very popular only for the exception of a few annual concerts but it is on the right path even though it might take some time.

There is also a 21+ restriction for DJ’s that blocks young talent from showcasing their skills and I think that is a huge mistake.

The scene in France is much better considering that some of the biggest acts in EDM such as Daft Punk and recently Madeon have raised from there, people have more knowledge about music and there is some kind of movement going on with Electro House and recently Dubstep in Parisian clubs, raves and concerts wich is not ready to end at any time.

Q:
You’re productions really seem to have an immense impact on dance floors around the world, do you use hardware or software or a combination of both to get that incredible sound?

A:
I have always used FL Studio, it’s a great software, my set-up is pretty simple, computer, keyboard and some big speakers (my neighbors hate me)

Q:
You’ve remixed some of the greatest names in Electro, is there a track you’ve always wanted to remix, but you feel it might be a bit intimidating because of how huge it is?

A:
I'd love to see how good I can do with Fleguk – Bassive, and it would be funny to have a track named Felguk – Bassive (Bassive Remix)

Q:
Electro has gone through it’s fair share of changes since the early days, with a massive revival a few years back, and now heading towards a harder slightly more underground sound, where do you see electro and dance music in general going in the near and distant future?

A:
Minds are more open to new genres and sub genres, with game changers such as Porter Robinson, Zedd, Skrillex and Wolfgang Gartner, younger creative talents that are open to new styles and possibilities, Electro will always have a new and better sound that will most likely be appreciated, I can only see it going bigger just like Rock and Roll since the introduction of the electric guitar, DJ’s are the new rockstars.

Q:
Tell us a bit more about “Bad Family Recordings”, how you’re involved and what the mission is behind the label?

A:
I originally created Bad Family Recordings to sign some of my good producer friends who are incredibly talented and needed a place where they could publish their work and get noticed on Beatport, also for having more flexibility and control over my work.

It is Dubai’s first and only Electronic music record label focused on publishing ‘Bass Music’ from both local and international artists.

Q:
Each year brings new up & coming DJ’s and producers to the forefront, Who would you consider someone to look out for next year?

A:
I have recently signed this fresh talent from Switzerland who goes by the name of Luckner, watch out for his EP dropping on Bad Family Recordings pretty soon, its bangin!

Q:
What’s playing on your IPOD/MP3 Player/ Car Radio at the moment?

A:

Q:
Having DJ’d in some of the world’s greatest clubbing cities, what is the weirdest or most wonderful experience you’ve had?

A:
Urban Desert Festival when I played at Akon’s after party with his DJ Benny D and later chillin with Akon and Fat Joe Backstage, SWAGG.

Q:
What can we expect from Bassive in the future?

A:
Will perform at the World Top DJ Festival on the 3rd of December then spend some time in Paris, hit Washington DC for some time and then get back to Dubai for working on my next EP, a few interesting collabs and lots of remixes.

checkout Bassive's brand new release, available right now... http://www.beatport.com/release/felguk-ep/832330

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